Charlotte Katherine
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DANCE FILMS

weeble/WOBBLE

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weeble/WOBBLE
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We stand here. Now. Teetering on the edge. We embrace the balance and control. We submit to the imbalance - flowing between realities. Strung across the ocean, our collaboration connects and grounds us in a world hanging by a thread between growth and preservation as an individual and community. These stones unite us across the boundaries of geography or man. Each stone represents the individuals in our greater communities - each one adds weight, value, and compromises the balance of the existing structure. To survive and thrive we must be malleable to each element, even one as small as a single pebble, a single person or experience.


An ongoing multidisciplinary collaborative work continually in-progress, conceptualized by Charlotte Smith.
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COLLABORATORS: 
Sculptor: PJ Doss
Composer: Zac Greenberg and Sam Katz
Cinematographer: Joseph Cicio
Still Photographer: Angeline Herron
Editor: Charlotte Katherine
Colorist: Jose Hernandez

National Premiere: The Luckman Presents Los Angeles Dance Festival  I  December 2021.
International Premiere: Seoul International Dance Festival in TANK - Music, Digital, and Dance Collaboration project.
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 "WEEBLE WOBBLE invites the viewer to think as well as to enjoy what she is doing. In this work, Smith has placed herself in the desert surrounded by beautiful cacti and utilizes three different sized bobbling objects that respond to her movements like the toy punching bags kids once played with. Two look like space age capsules – one large, the other small – and the third is shaped like a large musical gourd with an antenna. They make one smile, but the film is intriguingly hypnotic. Smith’s movements and the camera work mirror the wobbling of her “props” and I found myself asking why these objects and why in the desert. Answer: why not? Weeble Wobble is visually beautiful and seeing Smith move within that environment is a treat."
​-Jeff Slayton for LA Dance Chronicle  |  December 8th, 2021

Read the full article here: https://www.ladancechronicle.com/los-angeles-dance-festival-international-2021-concludes-with-a-powerful-program-c/


​STRELITZIA

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STRELITZIA

​An individual human feels small, stark, and vulnerable. As individuals we can only grow so much, to grow we explore and connect. This process of adaptation begins with our environment, challenges ourselves through experiences, and then blossoms in community. We bring it in, to let it overwhelm us. Through this process we redefine our capacity and flourish - our brightest, most complete being. Our connection to our community, humanity, diversity makes our colors radiate with a vibrancy. We find comfort in its entirety.


It’s in our lungs, our breath. Humanity stands beside us and within us. We see it, we share it, we become it.

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This film is a product of Charlotte's participation in SHIFT/west Residency for Women Choreographers. 

Choreographer: Charlotte Smith and Dora Novak in collaboration with dancers
Dancers: Moi Josue Michel, Amanda MacLeod, Lorenzo Edwards, Dora Novak, Charlotte Smith
Cinematographer: Benjamin Tedesco
Still Photography: Don Hannah 
Costume Design and Construction: Dora Novak
Composer: Zac Greenberg and Scotty Howard.
Assistant Audio Engineer/Foley: Kramer Sanguinetti 
Editor: Charlotte Smith, Dora Novak and Benjamin Tedesco
Colorist: Jose Hernandez
Assistant Costume Design: Cody Brunelle Potter
Make-up Design: Moi Josue Michel
Film Makers: Charlotte Smith and Dora Novak

National Premiere: SHIFT/west Residency for Women Choreographers | June 2021
International Premiere: Seoul International Dance Festival in TANK | July 2021
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"At the start of the piece the camera pans up past the parched earth and resting nude bodies. Then without warning the location changes to a lakeside marked with leafless trees hiding from view parts of the dancers lithe bodies. The use of chairs, sofas and makeshift construction are resting places for the languorous and very human Birds of Paradise.  A young woman in red toile, blue eye shadowed men, soon the costumes begin to get more creative and outrageous.  White soundscapes, ruffles, animal-like movements and preening bodies in highly hued plumage covers the dancers faces as they work.  It’s this disorder, spangles, netting that puts color on the parched earth. The white soundscape becomes a chanting that instigates the birdlike creatures to fall in line and fade into the night. This is not dance per se, but takes dancers to do the movement, yet it is a feast for the eyes."
-Joanne DiVito for LA Dance Chronicle |  June 8, 2021

Checkout the full review here: ​www.ladancechronicle.com/brockus-shift-west-residency-helps-women-choreographers-bloom-after-pandemic/


PYRISCENCE

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Pyriscence is described an adaptation to an environment in which fires are regular, and in which post-fire environments offer the best germination and seedling survival rates. This film aims to capture our quiet and harmonious regrowth from the loss and suffering of this year. The elements of music, dance and cinematography hold equal importance in this art film. 

Cinematographer: Joseph Cicio 
Performers: Zac Greenberg and Charlotte Smith
Director and Still Photographer: Angeline Herron
Editor: Scott Kelley
Colorist: Jose Hernandez

National Premiere: October 2020 for The Luckman Presents Los Angeles Dance Festival.
Awarded: Director's Pick-of-the-Festival.
Official Selection of the Inaugural Cornish College of the Arts Screendance Festival.
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"Smith speaks about how many of us feel as if the entire world is on fire, driving us inside, and leaving us to look inward for a path to renewal. 

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​Smith chose a burned-out landscape to film Pyriscence, dressed in a long white dress, signaling purification, with Greenberg wearing a floral patterned sarong style skirt, a nod to rejuvenation.  Smith’s movement is primarily slow pace, restive, reflective and loving. Throughout this beautiful film she ponders the situation around her, longs for what has been lost and how to move forward." 
​-Jeff Slayton for LA Dance Chronicle | Oct 20, 2020

Check out the full review here: https://www.ladancechronicle.com/week-three-of-la-dance-festival-2020-best-thus-far/

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